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|---------------------------------------------------------------| |-12-----10--8--8--12-12---8-----7--5-5--8-8--8----7------------| |------------------------------------------------------9-9--8-8-| |-12--10-----9-----12------9--7-----5----9----9--7--------------| |--------------------------0--------------------------10----9---| |--0------------------------------------------7-----------------| |-----------|---------------------------------------| |-7----5--8-|--12-----10--8-8--12-12--8---7-5-5-8-8-| |-----------|---------------------------------------| |-7--5----9-|--12--10-----9----12-----9-7---5---9---| |-----------|---------------------------------------| |-0---------|---0-----------------------------------| |---------------------| |-8---7------------5~-| |---------9-9-8-8-----| |-9-7--------------5~-| |--------10---9-------| |-7----------------0--|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash