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|----------------------------------------------------------------| |-10--8--10--8--8--7--8--7---8--7--7--5--5--7---8--7--7--5--7--8-| |----------------------------------------------------------------| |-10--9--10--9--9--7--9--7---9--7--7--5--5--7---9--7--7--5--7--9-| |--0-------------------------------------------------------------| |---------------7------------0------------------0----------------| |----------------------------------------------------------| |-10--8--10--8--8--7--8--7---8--7--7--5--5--7---8--7--7--5-| |----------------------------------------------------------| |-10--9--10--9--9--7--9--7---9--7--7--5--5--7---9--7--7--5-| |--0-------------------------------------------------------| |---------------7------------0------------------0----------| |--------------------------------| |-5-7--8--7-7--5-5--7--8--7-7--5-| |-5-7--7--7-7--5-5--7--7--7-7--5-| |-5-7--9--7-7--5-5--7--9--7-7--5-| |--------------------------------| |--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash