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|----------------------------------------------------------------| |-12p10h12-13-13-10-----10h12-12--12p10-12-13-13-10--------------| |--------------------12------------------------------12-11-9-11~-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |------------------------------------------| |----10-12-10----------------------10--10~-| |-12----------12-11h12~-9--11--12----------| |------------------------------------------| |------------------------------------------| |------------------------------------------| |-----------------------7p5-7-8-7--8--8--8\7-7-5-5\3-3-2/3-2-| |------8-7~--7h8p7\5-5~--------------------------------------| |----9-------------------------------------------------------| |--9------------------------------10-10-10\9-9-7-7\5-5-4/5-4-| |------------------------------------------------------------| |------------------------------------------------------------| |---7-5-7-8-7-5---------------------| |-5-------------8-7-8-7-8-7-8-7--5~-| |-----------------------------------| |-----------------------------------| |-----------------------------------| |-----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash