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|-12--12--12-----0----0----0---12---0---0-| |-12--12--12-----12---12---12------12--12-| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------| |--0---0----0--12--12--12-----0----0----0--12--12--12-| |-12--12---12--12--12--12----12---12---12--12--12--12-| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |--0---0---0------0-----0-----0-| |-12--12--12-----12----12----12-| |-------------------------------| |-------------------------------| |-------------------------------| |-------------------------------| |--0-----0----0--0----0-----0----0--0-| |-10----10---10-10/--17----17---17-17-| |-------------------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------| |--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-| |-20-17-17-17-17-17-17-17-20-17-17-20-17-17-17-20-17-| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash