* This content is licensed by BMI
|-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-----------7--7--9-7-5---------------------| |-7--7--7----------------7--7--7-7--5--5--5-| |-------------------------------------------| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |-----------7--7--9-7-5----------------------| |-7--7--7-----------------7--7--7-7--5--5--5-| |--------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------7--7--7--14--14--14-----------------| |-7--7--7-----------------------14--14--14--14-| |----------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash