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|-------------------------------------------------|------| |-------------------------------------------------|------| |-9--9--9---14--14---16--14--12--9--9--9--7--7--7-|------| |-x--x--x----x---x----x---x---x--x--x--x--x--x--x-|-(2x)-| |-7--7--7---12--12---14--12--10--7--7--7--5--5--5-|------| |-------------------------------------------------|------| |----------------------------------------------| |----------------------------------------------| |-9--9--9---12---5--5--5--4--5--5--5--5--------| |-x--x--x----x---x--x--x--x--x--x--x--x---5--5-| |-7--7--7---10---3--3--3--2--3--3--3--3---x--x-| |-----------------------------------------3--3-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash