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|----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |--2-2-2-2-2-------------------2-2-2-2-2----------------9~-| |--0-0-0-0-0--3/7p6h7-ha8~-----0-0-0-0-0--3/7p6h7-ha8p7----| |--------------------------12-----------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-2-2-2-2-2-------------------2-2-2-2-2-------------2--------2| |-0-0-0-0-0--3/7p6h7-ha8~-----0-0-0-0-0--3/7-6-ha7--0--2--3--0| |-------------------------12--------------------------0--1---| |----------------------------------| |----------------------------------| |----------------------------------| |-------2-2--------2-2-------------| |-2--3--0-0--2--3--0-0--2--3--4-4--| |-0--1-------0--1-------0--1--2-2/-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash