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|---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-4-------2--2------2----------2--7-7-----4------2--2------2----| |-4--2h4-----0--2h4----2--2h4-----5-4--2--4--2h4----0--2h4----2-| |-2--------------------0---------------0--2-------------------0-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-----2--7-7--7-7--4------2--2------2---------2--7-7--7--4-| |-2h4----5-5--4-4--4--2h4----0--2h4----2--2h4----5-5--4--4-| |------------------2-------------------0-----------------2-| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |------2--2------2---------2--PM7-PM7-PM7--PM7-PM7-------| |--2h4----0--2h4----2--2h4----PM5-PM5-PM5--PM4-PM4--2--2-| |-------------------0-------------------------------0--0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash