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|---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-2-2-2-2-2------------------ha9r7------2-2-2-2-2---------------| |-0-0-0-0-0--3/7h6-7-ha8-6-7-------7-8--0-0-0-0-0--3/7-6-7-ha8~-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------2-2-2-2-2-------------------ha9r7------2-2-2-2-2-| |-6-7---6------0-0-0-0-0--3/7h6-7-ha8-6-7--------7-8--0-0-0-0-0-| |-----8---ha7~--------------------------------------------------| |-----------------------| |-----------------------| |-----------------------| |-----------------------| |--3/7-6-7-ha8-6-7------| |-------------------ha8-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash