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|----------------------------2h4--5~---5--4--2----------------| |--5--3p2------------2h3--5----------------------5--5--3h2----| |----------2--2--p4-----------------------------------------4-| |-------------------------------------------------------------| |-------------0-----------------------------------------------| |--------------------------------------0----------------------| |----------------2h4--5--6-----------------------| |--------2h3--5----------5-----hn13---5~--3h2----| |--2--p4-----------------6---------------------4-| |------------------------5-----------------------| |--0---------------------------------------------| |-----------------------------0------------------| |----------------------2h4--5~---5--4--2-------------| |------------2h3--5----------------------5--5--3h2---| |---2---p4-----------------------------------------4-| |----------------------------------------------------| |---0------------------------------------------------| |--------------------------------0-------------------| |-----------------------------| |--2---4----2--0--3-----3-----| |--2------2----1-----1------2-| |-----------------------------| |--0------------------------0-| |--------------0--------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash