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|-9-10p9---------------------------------------------------------| |--------12--10h12-10p9----10p9----------9-----------------------| |-----------------------11------11-10h11---10--------10-----11p10| |--------------------------------------------11h13------11-------| |------------9---------------------------------------------9-----| |----------------------------------9-----------------------------| |--------------------9p8-9p8--9h10-9-----------------------------| |----9--10p9-10--12-------------------12--10h12-10p9-----10p9----| |-11--------------------------------------------------11-------11| |----------------------------------------------------------------| |-------9------------8--------------------9----------------------| |----------------------------------------------------------------| |-----------------------------------------------| |------9---------------------7----------------2-| |-9h11---9--------9------8h9---8-----6h8------4-| |-----------11h13----11----------10-------10--3-| |---------------------------------------------4-| |-9----------------------8----------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash