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|---------------------------------0----------------| |--------------1-------3--1--0h1---------6--5--4h5-| |--4--2--1h2---2-----------------------------------| |--------------------------------------------------| |--------------0--0h3-------------0h3--------------| |----------------------0-----------------0---------| |--7--5--4h5--7--5--4h5-------8-| |----------------------------5--| |---------------------------5---| |-------------------------------| |-------------0-----------------| |--0----------------------------| |--0--7----8~--7--5--4-------5--0-----1--------------------------| |---------------------------5--------3---3----1----0p1p0----1----| |--------------------------5--------2---------------------2-----2| |--------0------------------------0--------------2---------------| |------------------------0-------------------------------------0-| |-------------------------------------------0--------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash