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|---------------------------------------| |---------------------------------------| |------------------------5b-------------| |--------------5h7--5/7-----7-----------| |-----3---5/7-----------------7/5--3----| |-3/5---------------------------------5-| |------------------------------------------10br-10br-----| |------------------------------------8/10------------10~-| |-----------------------7br----5-------------------------| |-------------5h7--5/7-----------7-----------------------| |-----3--5/7-----------------------7---------------------| |-3/5----------------------------------------------------| |------------------------------------8------------------| |-8p5-------------------------8-9-10---10---------------| |------7b--b7--5------5-------------------7b--b7--5-----| |----------------7------7---------------------------7---| |------------------7------7---------------------------7-| |-------------------------------------------------------| |---------------------------------------------| |-8p5----------8p5--------------5-------8/10~-| |-----8p7p5h7------8p7p5h7--5h7---/7p5--------| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash