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|---------------------------------------------------------------| |---------------------------------------------------------------| |--9--10--9--10----4--5--4--5----4--5--4--5------4--5p4----4--5-| |-10--10-10--10----5--5--5--5----5--5--5--5---5--5--5---5--5--5-| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--9--10--9--10----4--5--4--5----4--5-----4--5p4----4--5-| |-10--10-10--10----5--5--5--5----5--5--5--5--5---5--5--5-| |--------------------------------------------------------| |--------------------------------------------------------| |-------------------------------------------| |-------------------------------------------| |--9--10--9--10----4--5--4--5----4--5--4--5-| |-10--10-10--10----5--5--5--5----5--5--5--5-| |-------------------------------------------| |-------------------------------------------| |--------------------------12-| |-----------------------13----| |--------7----------12--------| |-----10---------15-----------| |-5/7------10/12--------------| |-----------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash