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|---------------------------------------------------------------| |----------------8-------------------------------8--------------| |----------5b------b7--5----5--7b----------5b------b7--5--------| |----5--7-----7-----------7-----------5--7----7----------7--5/7-| |5/7------------------------------3/7---------------------------| |---------------------------------------------------------------| |----------------------------------------------------| |----------------8-----------------------------------| |-----------5b------b7--5----5--7b-------4--5--4h5p4-| |-----5--7-----7-----------7-----------7-------------| |-5/7------------------------------3/7---------------| |----------------------------------------------------| |----------------------------| |----------------------------| |----------------------------| |-7-5------------------------| |-----5/7--7/5--3--3--5------| |------------------------5p3-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash