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|--------------------------| |--------------------------| |-9-9-9-9-9-11-11-11h13----| |-----------------------11-| |--------------------------| |--------------------------| |--9------9---9---9---9---9------------------------------------| |-12b14-b14-b14-b14-b14-b14r12-9-------------------------------| |---------------------------------11-11b13-11b13-11b13r11-9----| |-----------------------------------------------------------11-| |--------------------------------------------------------------| |--------------------------------------------------------------| |---------9-------12-14-14b16r14-14-14-12-14-16-12h14-12----| |-------9---12/14----------------------------------------14-| |-11b13-----------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------------| |-14b16-14b16r14-14b16-14b16r14-14b16-14b16-b16r14-14b16-14-------| |-----------------------------------------------------------11b13-| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash