* This content is licensed by BMI
|-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-9--9--------------------9--9---7--7--7--7-| |-9--9---11--11--11--11---9--9---7--7--7--7-| |-7--7----9---9---9---9---7--7---5--5--5--5-| |---------------------------------------------| |-------12--14b16-14b16-14b16-14-12-----------| |-11/13-----------------------------11b13--11-| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------------------------------------------------------------| |--------------------------------------9h12p9---12b14-12b14--| |------9-11-11b-13r11-11b13-11b13-9-----------9---------------| |-8/11------------------------------11------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash