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|--9------9------------------------| |-12b14--12b14r12--9---------------| |---------------------13-11--11h13-| |----------------------------------| |----------------------------------| |----------------------------------| |----------------------------------------------------------| |------------12-14b16-14b16r14-12--14b16-14b16r14b16-14b16-| |----9-11/13-----------------------------------------------| |-11-------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-----------------------------------------9-------| |-14b16r14-12-14-12h14-12---------------9---12b14-| |----------------------------9-11b12r11-----------| |-------------------------11----------------------| |-------------------------------------------------| |-------------------------------------------------| |-9---------------9----------------------------| |---12-9------------12-9-----------------------| |--------11b13r11--------11b13r11-9-11-14b16-9-| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash