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|-----------------------------------------------------------| |-----------------------------------------------------------| |-5b6r5-5b6r5b6r5-5/10~-5b6r5-5b6r5-5b6r5-5/13~-5b6r5-5b6r5-| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-------------13b15-----------------------------------------| |-5b6r5-5/17~-------13p10h13p10--t19b2\1r19p13p10h13--t22b24-| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |--17b18-17-16-15----15-------18-17-13----------------| |-----------------18----18b19-------------------------| |--------------------------------------13-13-13-13-17-| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |----------------------| |-15b17r15----15-15/18-| |----------13----------| |----------------------| |----------------------| |----------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash