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|--------1----------3-----3-----------------0--------| |----3-----3---3------3-----3-----------3-----3---3--| |--2---2-----2----------0-----0-------0---0-----0----| |0---------------------------------------------------| |-------------------------------0-2-3----------------| |----------------------------------------------------| |--------0---------------------------------------------| |------3---3---3------------0------------------0-------| |----1-------1----------5-----5---5--------5-----5---5-| |--0------------------2---2-----2--------2---2-----2---| |2------------------0----------------------------------| |--------------------------------------3---------------| |--------0---------------0-| |------1---1-----------1---| |----0-------0-------0-----| |--3-----------3---3-------| |3---------------3---------| |--------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash