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|----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-5-5-5-5-5-5-5-5------------------------------------------| |-----------------6-6-6-6-6-6-6-6--0-0-0-0-0-0-0-0-0-0-0-0-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-5-5-5-5-5-5-5-5-----------------------------------4-4-4-4-4-4-| |-----------------6-6-6-6-6-6-6-6--5-5-5-5-5-5-5-5--------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-4-4--5-5-5-5-5-5-5-5--7-7-7-7-7-7-7-7-----------------| |---------------------------------------3-3-3-3-3-3-3-3-| |-----------------| |-----------------| |-----------------| |-----------------| |-----------------| |-2-2-2-2-2-2-2-2-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash