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|---0----------0--------0----------0--------0----------0----| |---1--3--1h3-----3-----1--3--1h3-----3-----1--3--1h3-----3-| |-----------------------2-----------------------------------| |----------------------------------------3------------------| |-3------------------0--------------------------------------| |-----------------------------------------------------------| |---0----------0--------0----------0-----3-----0----------0-| |---1--3--1h3-----3-----1--3--1h3--------3-----1--3--1h3----| |----------------------------------------------2------------| |-------------------------------------2---------------------| |-3------------------3----------------------0---------------| |-----------------------------------------------------------| |-------0----------0--------1----------0----| |-3-----1--3--1h3-----3-----0--3--1h3-----3-| |-------------------------------------------| |----3--------------------------------------| |------------------------3------------------| |-------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash