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|---------------------------------------------------0---------0-| |--------5----------5-------------------------------1--1--1h3---| |--------5--7--5h7--5--7/---------------------------0--0--0-----| |-5h7------------------------12--10h12p10-12-10--3--------------| |------0---------------------12--10h12p10-12-10-----------------| |------------------------10-------------------------------------| |----------------------------------------------------| |-1-----3--3------3--3---------5----------5----------| |-0-----5--4h5p4--5--4---------5--7--5h7--5--7-----7-| |----5---------------------------------------------7-| |-----------------------5h7--0------------------5----| |----------------------------------------------------| |---------------0----------0-----------------------| |---------------1--3--1h3-----3-----3--3------3--3-| |-5h7p5-7-5-----0--0--0-------0-----5--4h5p4--5--4-| |-5h7p5-7-5--3-------------------5-----------------| |--------------------------------------------------| |--------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash