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|-------------------------|------| |-------------------------|------| |-7b9-7b9-7b9-7b9r7--5----|-(2x)-| |-----------------------7-|------| |-------------------------|------| |-------------------------|------| |-----------------------------|------| |-8b10-8b10-8b10-8b10r8--5----|------| |---------------------------7-|-(2x)-| |-----------------------------|------| |-----------------------------|------| |-----------------------------|------| |--------------------------------------------------------------| |-------------------------------5--7--5------------------5-7-8-| |-7b9-7b9-7b9-7b9r7-5-----5--7----------7-7-5--7-5-7-5-7-------| |----------------------7---------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-----5--8--7--5-----------3-| |-7---------------8--7-----3-| |-----------------------4----| |----------------------------| |----------------------------| |----------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash