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|------3---------5-----------2--2h3--2---------3---------5---| |----3----3----5---5------3-----3------3-----3----3----5---5-| |--4---------6---------2-------------------4---------6-------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------5------7------------3--------2----|---0-------0---| |----7----7-----7--------3---3----3---3--|-----3-------3-| |--7--------------8----4--------2--------|---------------| |----------------------------------------|---------------| |----------------------------------------|---------------| |----------------------------------------|-0-------0-----| |---0-------0-| |-----3-------| |-------------| |-------------| |-------------| |-0-------0---|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash