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|--------------------------10--10-10-12-12----9--9h10p9-----| |--7-7-7--5-------12--10~--10----------------10---------10~-| |--7-7-7-----7/9-----------11-----------------9-------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------17----------------------------14-14--14-14-| |-----15-------15--------------15---------15-15--15-15-| |--16----16-------16-----14-------14------14-14--14-14-| |---------------------17----17-------17----------------| |------------------------------------------------------| |------------------------------------------------------| |--9--9/10--10/12-12/15--15--14~-| |-10-10/12--12/14-14/17--17--15~-| |--------------------------------| |--------------------------------| |--------------------------------| |--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash