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|-----0--2p0---0--0h2----2p0----------3-2-0----0h2---2p0---------| |---3--------3------------------3-----------3------------------2-| |-2-------------------2----------------------------2---------2---| |-----------------0-----------5----5-----------0-----------2-----| |--------------------------------------------------------0-------| |----------------------------------------------------------------| |----------------------------3-2-0---0h2------------| |-3p2--------3p2--------3----------3----------------| |-----2----------4-----------------------2-2-2h4--2-| |----------4---------5-----5---------0------------2-| |--------2----------------------------------------0-| |---------------------------------------------------| |-----0-2p0---0--0h2-| |---3-------3--------| |-0------------------| |----------------0---| |--------------------| |--------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash