Premium Content
Sign Up Premium and have unlimited access to hundreds of video lessons and much more.
* This content is licensed by BMI
|--2-----0--2----2-0---------0------------------0--| |--3--3--3--3--3-3-3-3--0--3-0-3--0--2--0--2--3-0--| |--2--2--------2-----2--0--0---0--0--0--0--0--0----| |--0-----------0--------0------------2-----2-------| |-----------------------0------------0-----0-------| |-----------------------3--------------------------| |--2--2-----0--2-----2--0----------0--------------------2--| |--3--3--3--3--3--3--3--3--3--0--3-0-3-0---2--2-2--2-2--3--| |--2-----2--------2--2-----2--0--0---0-0---2--2-2--2-2--2--| |--0-----------------0---------------------2--2-2--2-2--0--| |------------------------------------------0--0-0--0-0-----| |----------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash