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|--2--2--0--2---2---0--2----2-0-2--------------| |--3--3--3--3-3-3-3-3--3--3-3-3-3-3--3-3--3-3--| |--2--2-------2---2-------0-0-0-0-1--1-1--1-1--| |--0--0-------------------0-0-0-0-0--0-0--0-0--| |---------------------------------2--2-2--1-1--| |-------------------------3-------0--0-0--0-0--| |--2--2--0----------0-----0-----0-----0-------------2--| |--3--3--3--3-----3-----3-----3-----3----3--2--0----3--| |--2--2-----2-2/4-----2-----0-----2--------------2--2--| |--0--0---------------------------------------------0--| |------------------------------------------------------| |------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash