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|--2-----0--2----2-0---------0------------------0--| |--3--3--3--3--3-3-3-3--3--3-3-3--0--2--0--2--3-2--| |--2--2--------2-----2--0--2---2--0--2--0--0--2-2--| |--0-----------0--------0------------2-----2--2-2--| |-----------------------0------------0-----0--0-0--| |-----------------------3--------------------------| |-2-2-----0--2----2-0---------0-------------------0---2--| |-3-3--3--3--3--3-3-3-3--0--3-0-3-0---2--0--2--3--0---3--| |-2-2--2--------2-----2--0--0---0-0---2--2--2--2--2---2--| |-0-0-----------0--------0------------2--2--2--2--2---0--| |------------------------0------------0-----0--0--0------| |------------------------3-------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash