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|-2p0---2-------------0-2-----------0--2---------2p0------------| |-----3---3-0-----0h3-----------0h3----3-3-----------3-0--------| |-------------0-0---------4-4-4------------2-2-2----------0-0-0-| |-------------0-0---------4-4-4--------0---0-0-0----------0-0-0-| |-----------------------2---------------------------------------| |-------3----------------------------------------------3--------| |-----0-2--------------0-2-------------0-2-0--------2p0-----------| |-0h3-----0--------0h3-----0-------0h3-------0----------3-0-------| |-----------0-0-0------------4-4-4-------------2-2-2--------0-0-0-| |-----------0-0-0------------4-4-4-------------0-0-0--------0-0-0-| |------------------------2---------------0------------------------| |-------3-------------------------------------------------3-------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash