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|-2p0---0--------2p0---0--------2p0---0-----------2p0---0-------| |-0---3----------0---3----------0---3---3-0-------0---3---------| |---------0-0-0----------2-2-2--------------0-0-----------2-2-2-| |---------2-2-2----------2-2-2--------------0-0-----------2-2-2-| |----------------------0--------------------------------0-------| |-------0-----------------------------3-------------------------| |-2p0---3--------2p0---0--------2p0---0-----------2p0---0-------| |-0---3----------0---3-0--------0---3---3-0-------0---3---------| |---------0-0-0----------2-2-2--------------0-0-----------2-2-2-| |-------0-2-2-2----------2-2-2--------------0-0-----------2-2-2-| |----------------------0--------------------------------0-------| |-------------------------------------3-------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash