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|-----------------------------1---1----------------------------| |---------3---3---3-----------3---3--------3---3---3-----------| |---------2---2---3---------2---2----------2---2---3-----------| |-----0-3-2-0-3-0-2-0------------------0-3-2-0-3-0-2-0---------| |---0-----------------1-3-0----------0-----------------0-------| |--------------------------------------------------------4-----| |-----------------------0-----------------1--------------------| |-------3---3-----------3-----------------3---------------1----| |-------3---3---------3-------------------2--------------------| |-----3---3---------2-------------------0-------------0-3------| |-----------------4-----------0-1---1-4-----0------------------| |---3---------3-6---------3-4-----3-----------3-2-1-0----------| |-----------------------1---1-------------------0--------------| |-------1---------------3---3--3-3-2-1---1---1--1-3-------1----| |---3-2---3-3-2-2-----2---2--------------0---0--0---3-2--------| |-----------1-------0------------------2---2------------3---3--| |-----------0-----4--------------------------------------------| |---3--------------------------------0----------------1--------| |------------------------------| |------1-----------------------| |----2---2-0---0-------3---2---| |------------1---1---5---5-5---| |------------------5-------4---| |---1------3-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash