* This content is licensed by BMI
|----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-6-------3-5-6--6-------3----6-------3-5-6-/8-------5-7-8-| |---3-4-6----------3-4-6---6----3-4-6----------5-6-8-------| |------------------------------------------------------------| |------------------------------------------------------------| |-------------------------------------------------------9-10-| |----------------10-----10-11----------------9-11-9-11-------| |-9-11-13--11-13-----13--------------9-11-12-----------------| |------------------------------11-12-------------------------| |------------------------| |--------------6---6-8-9-| |---5-7-5-7--8---8-------| |-8----------------------| |------------------------| |------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash