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|--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-8-8----------------------------------------------------------| |-8-8--/6-------3-5-6--6-------3----6-------3-5-6--8-------5---| |-6-6-----3-4-6----------3-4-6---6----3-4-6----------5-6-8---8-| |-----------------------------------------------------------| |-----------------------------------------------------------| |----8-8-------------------6~----8-8----------3-------------| |-8--8-8--8--8p6-8-8p6--------8--8-8--6-------3-/5p3--------| |-8--6-6--8------------8-4----8--6-6--6-------1------5p3--3-| |-6-------6-------------------6-------4--3-1~-------------1-| |-------------------------------| |-------------------------------| |-3-----------------------------| |-3-----3h5p3---------3-------3-| |-1--/5-------5---3---1---3---1-| |-----------------1-------1-----|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash