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|---|--------------------------------------| |-x-|--------------------------------------| |-x-|--------------------------------------| |-x-|-6--7--x-x--6--7--x-x--6--7--10--9--7-| |-x-|-x--x--x-x--x--x--x-x--x--x---x--x--x-| |-x-|-4--5--x-x--4--5--x-x--4--5---8--7--5-| |--------------------------------| |--------------------------------| |--------------------------------| |-6--7--x-x--6--7--x-x--6--7---7-| |-x--x--x-x--x--x--x-x--x--x---x-| |-4--5--x-x--4--5--x-x--4--5---5-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash