* This content is licensed by BMI
|-------------------------------------------------1--------1-----| |-5-------5---------------5---5------5~-------1--------1-----1---| |-5----5----5----5p4---4--------4----3~-----2---2----2---2-----2-| |-5--5--------5------5------------5--5~-2/3----------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------1----------------------------0------------1---1-----| |-----1-----1---3-3b4r3-1---1------1-----1---1----------------| |---2---2-----2-----------1------0---0-----0----1/2---2---2\1-| |-3----------------------------2------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-----1-------8----| |-1------7/-8---8~-| |---1----8/-9------| |------------------| |------------------| |------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash