* This content is licensed by BMI
|-------3---0---2---3-0-----------3---0---2---3------------------| |-----0-------0-------3---------0-------0-------3----------------| |---0-----0-------------------0-----0-----0-0--------------------| |---------------0-0----------------------------------------------| |---------------------3-------------------------3----------------| |-0---------------------3-2-0---------------------3-2-0----------| |-----3---0---2---3-0------3-------2-------0-----------0---------| |---0-------0-------3------3-----0-------0---0-------0---0-------| |-0-----0----------------0-----2-------0-------0---0-------------| |-------------0-0------------------------------------------------| |-------------------3--------2-----------------------------------| |----------------------3-------------0-----------0---------3\2-0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash