* This content is licensed by BMI
|-------0-----------0---7-7-----7p0---------7-8-7h8p7\5-7-5\2-0--| |-----0---0-------0---0-----0-------0---------0---------0--------| |---0-------0---0-------------0-------0---0----------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0-----------0-----------0-------------0------------------------| |-0-----2p0-----------0-0-0-0---------2p0-----0-0----------------| |-5---5-----5-------5---5-5-5-----5-------5---5-7-----7----------| |---5---------5---5-----5-5-5---5---5-------5-5-7---7---7--------| |----------------------------------------------------------------| |-0-------------0-------0-2-3-3---------------3-5-5--------------| |----------------------------------------------------------------| |-0h5---------------------<12>-----------0-----------------------| |-----7p0-0h5--------<12>------0-------0---0---------------------| |---------------<12>-------------0---0-------0-------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------0--------------------0-----------0-----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash