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|--------------------------------------------------------------| |--------------------------------------------------------------| |-0---0---0----0---0------0-----0-----0-----0------------------| |-0---2---4----0---2-------------------------------------------| |-----3---5--------3---5-----5-----5-----5---------------------| |-3------------3-----------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---0-----0------0-----0----0-----0------0-----0---------------| |--------------------------------------------------------------| |-------------3-----3----5-----5-------------------------------| |-0----0------------------------------3-----3------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---0-----0-----0----------------------------------------------| |---------------------5p4--------------------------------------| |-3-----3-----5----5-------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash