* This content is licensed by BMI
|--------------------------------------------------------------| |--------------------------------------------------------------| |---0-----0------0-----0------0-----0-----0-----0--------------| |--------------------------------------------------------------| |-------------3-----3------5-----5-----5-----5-----------------| |-3----3-------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---0-----0------0-----0------0----0-----0-----0---------------| |--------------------------------------------------------------| |-------------3-----3------5----5------------------------------| |-0----0------------------------------3-----3------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |----0----0-----0-----0-----0----------------------------------| |--------------------------------5p4---------------------------| |------------3-----3-----5----5--------------------------------| |-3----3-------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash