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|--0---0-0-0--------------0----0-0-0---3----3-3-3--------------| |--1---1-1-1---1---1-1----1----1-1-1---3----3-3-3--------------| |--2---2-2-2---0h2-0-2----2----2-2-2---0----0-0-0--------------| |--3---3-3-3---3---3-3----2----2-2-2---0----0-0-0--------------| |--3---3-3-3---3---3-3----0----0-0-0---2----2-2-2--------------| |--------------------------------------------------------------| |--0---0-0-0---------------------------------------------------| |--1---1-1-1---1---1-1--1--------------------------------------| |--2---2-2-2---0h2-0-2--0h2------------------------------------| |--3---3-3-3---3---3-3--3--------------------------------------| |--3---3-3-3---3---3-3--3--------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash