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|--------0--0--0--0--------------------------------------------| |--------1--1--1--1----------3--1---1-1-1-1-----------1--------| |------2-2--2--2--2--------0----0---0-0-0-0---0-------0--------| |----2------2--2--2------0------2---2-2-2-2-----0h2------------| |--0--------0--0--0----2--------3---3-3-3-3---------3----------| |--------------------------------------------------------------| |----------------0-----------0.----0/0----0--------------------| |1---1-----------1-----------3--1--3/5\3--1-------0-0-0-0-0-0-0| |0h2-0--------2--2-------0---0--0------------0----1-1-1-1-1-1-1| |------2----2----------0--------2------------0h2--2-2-2-2-2-2-2| |---------0----------2----------3------------3----3-3-3-3-3-3-3| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash