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Parte 2 e|-8-8------8-10------12-10-12-13-12---10-8---7-------8-10-12-7-----| B|--------8--------8----------------------------10-12---------7---10| G|------9--------7-------------------0------0-----------------7-7---| D|---10-------9-----------------------------------------------0-----| A|--------------------12----------10------8---9----10---11----------| D|------------------------------------------------------------------| e|------3-----1p0-1--------0---------------------------0-0---0-1-0--| B|-8-8--3---3---------5--3---1-3-0-----1-1-0-1-3-1-------1-3-----1--| G|---7--0-0---------0------------0-2-0-------2-------0---2-------0-0| D|---5---------------------------0-----------0-----2----------------| A|------3---------2--------------------------------------0---2---3--| D|--------------------2--3-------5---3---2---3---2------------------| e|----0-1-0-----------1-0-------------------------------------------| B|--3---3---3-1-0-1-3-------3---1-1---------------------------------| G|------2-----------------0---0-------------------------------------| D|------0---2---3---------------------------------------------------| A|--2-----------------------------3---------------------------------| D|----------------------5-------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash