John Francis Wade

John Francis Wade

Adeste Fideles

Difficulty: Advanced

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Part 1 e|---------------------0---0-1-0---------------------0--------------| B|---1-1-----1-3-------1-3---------3-1-1---0---0-------0------------| G|---------0-------0---2---------0-----------2-0---7-------2-0-0----| D|-------2-------0-----------------------0-----0-5-------0----------| A|-----3-------2-------0--------------------------------------------| D|-----------------------------5-------3---4---5---6---0-------5----| e|--3-----1p0-1--------0---------------------------0-0---0-1-0------| B|--3---3-----0---5--3---1-3-0-----1-1-0-1-3-1-------1-3-----1------| G|--0-0---------0------------0-2-0-------2-------0---2-------0-0----| D|---------------------------0-----------0-----2--------------------| A|--3---------2--------------------------------------0---2---3------| D|----------------2--3-------5---3---2---3---2----------------------| e|----0-1-0-----------1-0-------------------------------------------| B|--3---3---3-1-0-1-3-------3---1-1---------------------------------| G|------2-----------------0---0-------------------------------------| D|------0---2---3---------------------------------------------------| A|--2-----------------------------3---------------------------------| D|----------------------5-------------------------------------------|

h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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