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|-----------------|--------|--------------|------| |-----------------|--------|--------------|------| |-14--12\11--11~--|--(2x)--|-14--12-------|-(2x)-| |-----------------|--------|---------14~--|------| |-----------------|--------|--------------|------| |-----------------|--------|--------------|------| |-------------------------------------------| |------------------------------15-----------| |-/14--12~--14p12--11b12/7/12~----11b12r11~-| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-----------------------------------------------------------| |----------------------------15-15-13--15b17-17-17r15-15-13-| |-14p12-11~-14p12\11--14b16---------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------17--17~-| |-12b13r12--------------------------15-15/17-15-17b19-----19--| |----------12----14b16r14p12-14b16----------------------------| |-------------12----------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash