* This content is licensed by BMI
|-----9---------10-----9-----| |--------10------------------| |------------9------9-----10-| |-11-------------------------| |----------------------------| |----------------------------| |-------------13\12------9-----| |-----13-----------------------| |---------12---------12-----12-| |-10---------------------------| |------------------------------| |------------------------------| |----------------15------14----|------| |----15------------------------|------| |--------14--12------14-----14-|-(2x)-| |------------------------------|------| |-12---------------------------|------| |------------------------------|------| |------9--------10-----9---| |---------10---------------| |-------------9-----9----9-| |-/11----------------------| |--------------------------| |--------------------------| |-------------13\12------9----------------| |-----13-------------------------------15-| |---------12---------12-----12--12/14-----| |-10--------------------------------------| |-----------------------------------------| |-----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash