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|---------------------------------------------------------| |---------------------------------------------------------| |-4--4-4--4-4-4--4/6-6-6--6/7\6-6\4--4-4--4-4--4-4-4--4-4---| |-x--x-x--x-x-x--x/x-x-x--x/xx-xx--x-x--x-x--x-x-x--x-x---| |-2--2-2--2-2-2--2/4-4-4--4/5\4-4\2--2-2--2-2--2-2-2--2-2---| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-4--4-4--4-4-4--4/6-6-6--6/7\6-6\4--4-4--0----4-4--4-4-4---| |-x--x-x--x-x-x--x/x-x-x--x/xx-xx--x-x--0-0--x-x--x-x-x---| |-2--2-2--2-2-2--2/4-4-4--4/5\4-4\2--2-2--0-0--2-2--2-2-2---| |-------------------------------------------4-------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash