* This content is licensed by BMI
|-2--2-2--2-2-2---4--4-4--4-4-4---0--0-0--0-0-0--0--0-0--0-0-0-| |-2--2-2--2-2-2---4--4-4--4-4-4---0--0-0--0-0-0--0--0-0--0-0-0-| |-4--4-4--4-4-4---6--6-6--6-6-6---1--1-1--1-1-1--1--1-1--1-1-1-| |-4--4-4--4-4-4---4--4-4--4-4-4---2--2-2--2-2-2--2--2-2--2-2-2-| |-2--2-2--2-2-2---4--4-4--4-4-4---2--2-2--2-2-2--2--2-2--2-2-2-| |---------------------------------0--0-0--0-0-0--0--0-0--0-0-0-| |-2--2-2--2-2-2---4--4-4--4-4-4---0--0-0--0-0-0--0--0-0--0-0-0-| |-2--2-2--2-2-2---4--4-4--4-4-4---0--0-0--0-0-0--0--0-0--0-0-0-| |-4--4-4--4-4-4---6--6-6--6-6-6---1--1-1--1-1-1--1--1-1--1-1-1-| |-4--4-4--4-4-4---4--4-4--4-4-4---2--2-2--2-2-2--2--2-2--2-2-2-| |-2--2-2--2-2-2---4--4-4--4-4-4---2--2-2--2-2-2--2--2-2--2-2-2-| |---------------------------------0--0-0--0-0-0--0--0-0--0-0-0-| |-2--2-2--2-2-2---4--4-4--4-4-4---0--0-0--0-0-0-| |-2--2-2--2-2-2---4--4-4--4-4-4---0--0-0--0-0-0-| |-4--4-4--4-4-4---6--6-6--6-6-6---1--1-1--1-1-1-| |-4--4-4--4-4-4---4--4-4--4-4-4---2--2-2--2-2-2-| |-2--2-2--2-2-2---4--4-4--4-4-4---2--2-2--2-2-2-| |---------------------------------0--0-0--0-0-0-| |-0--0-0--0-----0--0-0--0-0-0---0--0-0--0-0-0-| |-0--0-0--0-----3--3-3--3-3-3---2--2-2--2-2-2-| |-1--1-1--1-----0--0-0--0-0-0---2--2-2--2-2-2-| |-2--2-2--2-----0--0-0--0-0-0---2--2-2--2-2-2-| |-2--2-2--2-0---0--0-0--0-0-0---0--0-0--0-0-0-| |-0--0-0--0-2---3--3-3--3-3-3-----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash