* This content is licensed by BMI
|----0-----0-----0----0-|-0-0-0-0-0-0-0-| |----0-----0-----0----0-|-0-0-0-0-0-0-0-| |---4-----2-----1----1--|-1-1-1-1-1-1-1-| |--4-----4-----2----2---|-2-2-2-2-2-2-2-| |-2-----4-----2----2----|-2-2-2-2-2-2-2-| |-----------------------|-0-0-0-0-0-0-0-| |----0-----0-----0-|-0-0-0-0-0-0-0-| |----0-----0-----0-|-0-0-0-0-0-0-0-| |---4-----2-----1--|-1-1-1-1-1-1-1-| |--4-----4-----2---|-2-2-2-2-2-2-2-| |-2-----4-----2----|-2-2-2-2-2-2-2-| |------------------|-0-0-0-0-0-0-0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash